A key takeaway from Block’s framework is that the visual structure must mirror the story structure. Just as a story has an , the visuals should follow a similar graph:

By intentionally choosing these components, you move beyond simple "composition" and begin to use the visual language as a tool for profound storytelling.

: This refers to the physical and psychological depth within the frame. Creators can choose between Deep Space (creating a 3D illusion), Flat Space (emphasizing 2D), or Ambiguous Space (creating unease) to reflect the story’s emotional landscape.

: Found in both stationary objects (repetition of lines) and moving ones, rhythm is also heavily dictated by editing pace . The Principle of Contrast and Affinity