Fantasia - Subtitle

: By calling it a "Fantasia," Liszt signaled a move away from the rigid, traditional constraints of the classical Sonata form.

: It highlights the work's dual nature—it is structured enough to be a sonata but free enough in its poetic imagination to be a fantasy. Other Notable Examples subtitle Fantasia

While Liszt is the most famous example, other musical works use similar subtitles: : By calling it a "Fantasia," Liszt signaled

: Features a movement with the subtitle "Fantasia on a Russian Chant" , which emphasizes a specific melodic source (Russian liturgical music) played by a solo violin with strings. : By calling it a "Fantasia