[s3e23] Greg And Larry -

The episode’s closing moments are a direct, stylistic homage to the film . As Jake (Larry) picks up a newspaper from his front garden and greets Holt (Greg), the scene mirrors the "average nobody" ending of the legendary mob movie.

: Most sitcoms are afraid to leave their primary setting. Brooklyn Nine-Nine leans into the change, spending the beginning of Season 4 exploring their new, sun-drenched lives. [S3E23] Greg and Larry

: It forces a resolution to the intense Figgis storyline that threatened the entire squad. The episode’s closing moments are a direct, stylistic

: The stoic, rule-following commander is forced to adopt a suburban, mundane life. Watching Holt—a man who once said "I’ve never been more serious" about a balloon arch—try to blend in as a typical neighbor is a masterclass in deadpan comedy. Brooklyn Nine-Nine leans into the change, spending the

This reference is particularly fitting: just as Henry Hill was forced into a life of "egg noodles and ketchup," Jake and Holt are relegated to the suburban purgatory of Florida, far from the high-stakes world of the NYPD. It’s a bittersweet moment that perfectly balances the show’s lighthearted humor with a genuine sense of loss and uncertainty. Why "Greg and Larry" Matters

: Jake, whose life is defined by being a "cool cop" and his love for the 99th precinct, is stripped of his badge and his family. His "Larry" persona is a shell, a placeholder until he can reclaim the life he loves. A Nod to the Classics