Using a configuration provides several logistical benefits:
Use of 9/11 channel DMX512 protocols to synchronize movements, gobos (patterns), and color wheels. NAOS - (SCENSKI 75k) 16x
It can control over 40 automated follow spots simultaneously, drastically reducing the need for manual operators. Key Components of the "Scenski" Setup The "75k"
By linking tracking data to media servers, the "scenic" (scenski) elements—such as video walls or spatial audio—can react dynamically to where a performer is on stage. the tracking lights remain clearly visible.
Eliminating physical beacons simplifies costume changes and reduces the risk of equipment failure on the performer.
This typically denotes 75,000 lumens of light output or a 75W high-power LED source (often found in compact moving head units). High-end professional stage setups, like those for tours, often require this level of intense luminosity to cut through other stage effects. Key Components of the "Scenski" Setup
The "75k" power ensures that even with heavy ambient light or large LED screens (like 16' x 9' LED walls ), the tracking lights remain clearly visible.