Licence To Kill Review

By the late 1980s, the Bond franchise was facing an identity crisis. The world of action cinema had shifted beneath its feet. Audiences were flocking to see the visceral, high-stakes violence of Lethal Weapon and Die Hard . The campy, double-entendre-laden formula that had sustained Roger Moore through the previous decade suddenly felt like a relic.

With Licence to Kill , director John Glen and longtime producer Albert R. Broccoli decided to take the ultimate gamble. They would take James Bond out of the British Secret Service. Licence to Kill

Despite its technical brilliance and gripping narrative, Licence to Kill was not the box office juggernaut the studio hoped for. Released in the crowded summer of 1989 against Batman , Indiana Jones and the Last Crusade , and Lethal Weapon 2 , it got squeezed out. Critics at the time were mixed, with many complaining that it felt more like an episode of Miami Vice than a traditional Bond film. By the late 1980s, the Bond franchise was

Enter Timothy Dalton. Having debuted in 1987’s The Living Daylights , Dalton was determined to bring Bond back to his roots. He didn't want to play a superhero; he wanted to play the burn-out, professional killer defined in Fleming's novels—a man who felt the weight of every life he took. They would take James Bond out of the British Secret Service