This website is for the original EmulationStation, last updated in 2015!
A graphical and themeable emulator front-end that allows you to access all your favorite games in one place, even without a keyboard!
This website is for the original EmulationStation, last updated in 2015!
A graphical and themeable emulator front-end that allows you to access all your favorite games in one place, even without a keyboard!
Reviewers often point out that while Fred Neil wrote the song, Nilsson "owned" it. The track is frequently cited as a masterpiece of "sunshine pop" with a darker, lonesome undercurrent.
Produced by Rick Jarrard, the track features a driving, rhythmic acoustic guitar paired with a lush string arrangement that creates a sense of "motion"—perfectly capturing the song's theme of escaping the city.
Nilsson showcases his incredible three-octave range, transitioning seamlessly from a conversational baritone in the verses to soaring, effortless high notes in the "skip the ocean taxi" bridge.
EmulationStation provides an interface that is usable with any 4-button controller, set up from within the program itself.
* Emulators themselves must be configured separately...for now.
EmulationStation includes a custom theming system that gives you control over how each screen looks on a per-system basis, from the system select screen to the game list.
Don't like our style? Try another set, or make your own!
Download the full name, description, box art, rating, release date, developer, publisher, genre, and number of players for every game in your library with the press of a button.
Reviewers often point out that while Fred Neil wrote the song, Nilsson "owned" it. The track is frequently cited as a masterpiece of "sunshine pop" with a darker, lonesome undercurrent.
Produced by Rick Jarrard, the track features a driving, rhythmic acoustic guitar paired with a lush string arrangement that creates a sense of "motion"—perfectly capturing the song's theme of escaping the city. Harry Nilsson - Everybody's Talkin' (HD/Lyrics)
Nilsson showcases his incredible three-octave range, transitioning seamlessly from a conversational baritone in the verses to soaring, effortless high notes in the "skip the ocean taxi" bridge. Reviewers often point out that while Fred Neil