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Director David Robert Mitchell used a "dreamlike, timeless" setting. You’ll notice a mix of modern and retro technology—characters use old CRT TVs and drive vintage cars, while one character uses a unique "seashell" e-reader that doesn't exist in reality.
The film is packed with metaphors regarding class structure and the idea that our privilege often comes at the expense of those we don't see. The frequent use of Jeremiah 11:11 references the inevitable "bringing of evil" that cannot be escaped.
After a sexual encounter, a young woman finds herself stalked by a relentless, shapeshifting entity that only she can see. The curse is passed through intimacy, creating a chilling metaphor for mortality or social anxieties.
Director David Robert Mitchell used a "dreamlike, timeless" setting. You’ll notice a mix of modern and retro technology—characters use old CRT TVs and drive vintage cars, while one character uses a unique "seashell" e-reader that doesn't exist in reality.
The film is packed with metaphors regarding class structure and the idea that our privilege often comes at the expense of those we don't see. The frequent use of Jeremiah 11:11 references the inevitable "bringing of evil" that cannot be escaped.
After a sexual encounter, a young woman finds herself stalked by a relentless, shapeshifting entity that only she can see. The curse is passed through intimacy, creating a chilling metaphor for mortality or social anxieties.
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